Sunday, March 16, 2014

ISSUE #8

Here's M ⊂ S I Q:

PICK OF THE WEEK: Annabelle Chairlegs - "Street Urchins"

WHERE: Austin, TX
FROM: TBD
OUT: TBD

The gritty slack-pop quartet Annabelle Chairlegs are still something of a mystery at this early point in their history - aside from a few demos on Soundcloud, scant details on Facebook, and this recent upload to YouTube, they have yet to see a proper release and some press under their belts. It stands to reason that this will change soon enough, the group having recently played the Gnar Tapes showcase at this year's SXSW and coupling "Street Urchins," their strongest single yet, with a memorably hallucinogenic video. Recorded around singer Lindsey Mackin's hometown of Kearny, NJ - "a really industrial, beautiful place" as she described in an e-mail - the clip follows a panda-masked woman traveling aimlessly while the band rocks out in drag through a trippy color filter. The accompanying song blossoms from a sweet, surfy whisper into a manic, droning scream, all in the compact span of a heavy two-minute pop song. Keep an eye out for a release and a tour this year!




WATCH: Wet Blankets - "Dieter Caught My Bus"

WHERE: Geelong, Australia
FROM: Dieter Caught My Bus 7" on Goodbye Boozy
OUT: Now

"Dieter Caught My Bus" is about as authentic as a punk tune can get these days - it doesn't just feel like a teenage riot because it actually is a teenage riot. Frontman Zane Gardner recently celebrated his 16th birthday and has already dropped a sold out 7" with his band - what have you been up to lately? In a simple, primal vein that brings Coachwhips to mind, the garage-punk power trio (featuring mems. of Ausmuteants & The Living Eyes) plays this driving, uptempo tune relatively straightfaced until a noisy breakdown at the one-minute mark threatens to dismantle the whole thing. The video finds the band miming "Dieter" on a suburban rooftop, intercut with brief shots of dumpster-diving and racing down a hill on a shopping cart. Sympathetic vomiters, proceed with caution.



LISTEN: Gentlemen - "Cholera"

WHERE: Melbourne, Australia
FROM: Gentlemen 7" on Jeth-Row
OUT: Now

Gentlemen have crawled out of the Melbourne sewers to release another batch of relentless noise-punk in following-up on their excellent 2012 LP Sex Tape - a record that has only recently been making the rounds at places like WFMU, Pitchfork, and Boston Hassle. As we were hearing on that last release, "Cholera" is another sickly mesh of towering, corrosive guitar noise, bashed rhythms, and a psychotic vocal snarl. It might be easy to dismiss the sound as male aggression incarnate, but there's something in that howling refrain of "CHOLLLERAAAA" that feels pained and horrified, like the sound of someone's mind grasping for air as the body meets a horrible death. Fans of Drunkdriver and Chat Logs should absolutely jump on this crazy train.



LISTEN: Institute - "Bureaucrat"

WHERE: Austin, TX
FROM: Institute EP on Deranged
OUT: 3/25/2014

OK, serious question: what Texas punk band doesn't have a member of Wiccans in it? Institute is now the fifth good band I've heard that falls under this category (see also: Video, Blotter, Parquet Courts, and Mind Spiders), and I'm sure there are at least a dozen more out there. "Bureaucrat" is my favorite track from this post-punk four-piece's demo, which will be seeing a proper release on Deranged Records in the next couple of weeks. Their sound reminds me a bit of Protomartyr and the Killed By Deathrock comp that Sacred Bones put out last year, but twice as drugged-up. Over gloomy guitars and busy drumming, the song drunkenly murmurs sweet nothings like, "Please have your papers ready as / You approach" with all the authority of a border guard on quaaludes. Dig it below.


LISTEN: Useless Eaters - "Integrated Circuit"

WHERE: San Francisco, CA
FROM: Mother Earth 7" on Jeffery Drag
OUT: Spring 2014

"Integrated Circuit" is not just a fitting title for this new Useless Eaters jam, but a proud announcement: "We have electronics now." While last year's Hypertension was an offering of cold-blooded garage-punk fit with rolling drums and tight, interlocking guitars, this new single suggests that frontman Seth Sutton has embraced the icier textures of synthesizers and drum machines. "Integrated Circuit" is all blown-out motorik beats and coldwave synth moans, holding on to some of their earlier sound with a steady guitar thrum and Sutton's vaguely-British speak-singing hovering at the center. While the sonics have shifted, this band's ability to write a total earworm remains the same. You'll probably keep finding the play button on this one if you're down with groups like NUN, Future Punx, and/or Disappears.




LISTEN: Life Chain - "Parasites"

WHERE: Halifax, Canada
FROM: No Laughter EP on Konton Crasher/Imminent Destruction
OUT: Spring 2014

Good ol' d-beat: always different, always the same. Life Chain get innovative enough with it on "Parasites," bookending their d-beat blitzkrieg with a crushing high-speed fuck that brings to mind some of their NYC contemporaries like La Misma and Warthog (perhaps fitting that they'll be playing New York's Alright next month, then). Amid the chaotic burn of the guitars and drums, staccato shouts pierce their way through the mix, sounding like Yasuko Onuki from Melt-Banana descending upon the earth and throwing lightning at us all. If you're feelin' the doom, try out the other track from the sampler while you're at it and keep it tuned for the 7" which should be out soon.


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Sunday, March 9, 2014

ISSUE #7

Yo. Here's what's good this week:

PICK OF THE WEEK:  Blotter - "Gunboy Rover"

WHERE: Austin, TX
FROM: Under Armour '77 on Katorga Works
AVAILABLE: Spring 2014

I wonder what Blotter thinks of SXSW. Hardcore punk locals and invasive corporate sponsors must get along very well this time of year. I'm sure "Gunboy Rover" would go over particularly well at, like, a college radio mixer with non-alcoholic beer and indie muzak humming over the bar speakers. Honestly though, this is straight-up disruption that could wipe a conference room clean in its opening seconds. After a moment of square feedback, the group opens up into a confrontational, full-band seizure that sounds off like a series of disgruntled exclamation points. All the incessant grunt-raving and stop-start mayhem ends before you can really attempt to gather your bearings. Recommended for looping at a party filled with people you really, really hate.




LISTEN: Good Throb - "Acid House"

WHERE: London, UK
FROM: Fuck Off on White Denim/Sabremetric/Super-Fi
AVAILABLE: 4/2014

In the forthcoming edition of the first-ever VCPUNX zine, an anonymous scribble towards the back beckons: "LISTEN TO GOOD THROB." Start listening to that anonymous scribble now, because Good Throb rules and doesn't give a fuck about what you think of neither their "sloppy" playing, nor their shit-and-piss humor, nor their feminist thematics. Deal with it, cad. "Acid House" is one of three teaser tracks from their forthcoming LP - a sparse, furious blast that evokes the ghostly spirit of first-wave no-wave with its exceedingly simple and confrontational approach to punk. Check it below.




LISTEN: PyPy - "New York"


WHERE: Montreal
FROM: Pagan Day on Slovenly Recordings
AVAILABLE: Now

To give you a sense of what you're going to be reckoning with the track below, there's another song on this album called "Too Much Cocaine." Yup. "New York" is an oozing urban nightmare in the form of an out-of-control psych-punk jam. When the song isn't barreling forth at full-speed to ram into any unsuspecting East Villagers in its path, the band steps back to build tension with quiet calculation. Over thudding drums and creaking guitars, Annie-Claude Deschenes prowls and lolls her tongue over the proceedings with a Vanessa Briscoe-Hay (Pylon) or Katie Alice Greer (Priests) level of cool. Freak out the neighborhood with this.


LISTEN: After Argument - "Venice notes (world in his eyes)"

WHERE: Beijing
FROM: Furs of Time on Tenzenmen
AVAILABLE: Now

My first exposure to the contemporary Chinese underground happened a couple weeks ago when a friend of mine told me about the band Pairs. They released a split on Tenzenmen, which led me to this excellent post-punk duo After Argument. This is the first track from their most recent release, a tightly wound rocker with yelped vocals and wending guitar work that kinda smacks of early-era Fugazi. "Venice notes (world in his eyes)" feels like a response to that glorious strain of independent rock that spanned from like Spiderland, running through Today's Active Lifestyles, and ending around The Lonesome Crowded West - but these guys are creative in how they progress this opener, entirely avoiding the "rehash" label through some seriously telepathic interplay. Excited to see what their next move is (US tour would be v cool).



LISTEN: Odonis Odonis - "Angus Mountain"

WHERE: Toronto
FROM: Hard Boiled/Soft Boiled on Buzz Records
AVAILABLE: 4/15/2014

"She never loved you anyway," sighs the sad chorus at the center of this new piece from the post-everything Canadians of Odonis Odonis. I had these guys pinned as somewhat-aggro industrial/noise-rock up to now, but "Angus Mountain" throws a curveball into their oeuvre, here offering up a melancholic, dreamy soundscape that could almost pass as chillwave (chillpunk? kill me). A sunlight-decayed melody floats atop an acrobatic drum machine pattern held together by sixteenths rattling off on an icy high-hat. This one definitely errs on the side of Soft Boiled. Haven't been stoked for too many full-lengths this year, but HB/SB is set firmly on my radar.



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Sunday, March 2, 2014

ISSUE #6

Lifeless in appearance,
Sluggish, dazed Spring approaches - WCW

Here's the rundown:

PICK OF THE WEEK: NUN - "Evoke The Sleep"

WHERE: Melbourne, Australia
FROM: Nun LP on Aarght/Avant!/No Patience Records
AVAILABLE: 4/11/2014

Normally I'm all about American exceptionalism, but I must admit that I've been enjoying Australia's 2014 underground offerings a lot more than the United States' - time to change that bald eagle statue on my desk to a kangaroo plush. Sigh. For proof positive of Australia's hot streak, take a nice, long look at this new cut from the haunted synth-punk fourpiece Nun. A hissing drum machine and sinister synthesizers underline Jenny Branagan's cyber-dictatorial speak-singing: "Carnivorous institution! / Kindly open up your front gate!" she calls to action. A beautiful whoosh of noise bursts through the door at the two-minute mark and briefly fucks with your head before the track re-enters into its laser sharp focus. Everything is set neatly in its place while raging very hard in that place. Try not to bob your head so vigorously, it's bad for your neck.



LISTEN: The Ukiah Drag - "Dirt Trip"

WHERE: Boston, MA
FROM: Dirt Trip 7" on Wharf Cat Records
AVAILABLE: 3/4/2014

For New England urban dwellers, psych-punk quartet The Ukiah Drag sure know a thing or two about sounding like they've been wandering across a desert with only their instruments for a few years. The A-side to their new 7", "Dirt Trip" is a driving, dusty track evocative of The Birthday Party's sickly drawl. Guitars that are equal parts woozy and country-fried weave into a pounding rhythm section, creating something that feels like a bumpy, narcotized ride across the American West. But really, the only place you're driving is straight to your grave: "Got a coffin / Just for you / Come on down / There's room for two," beckons the undertaker. Lines like that companioned with the group's slithering lurch make you feel as though your time might actually be up.



LISTEN: Tense Men - "RNRFON"

WHERE: London, UK
FROM: Where Dull Care Is Forgotten 12" on Faux Discx Records
AVAILABLE: 3/10/2014

I don't tend to geek out over a label's entire output too often, but Faux Discx had such a banner 2013 that I've been impatiently awaiting their first 2014 release. Here's their first offering - a new single from the aptly named London trio Tense Men. "RNRFON" is a building storm of a post-punk jam that is all about the rhythm section, revolving around a high-voltage drum and bass lockstep that stares ahead unblinkingly. Interfering guitar wankery intensifies the track's forward motion as a monotonous chant drones in and out of the mix. Tense Men have made a real nervewracking headrush of a track here - "RNRFON" probably isn't something that you should put on if you're running late to work. Be on the lookout for the new EP.



LISTEN: Technicolor Teeth - "Sage" 

WHERE: Appleton, WI
FROM: Can You Keep Me Out Of Hell CS on Accidental Guest
AVAILABLE: 3/2014

Yeah, the term "90s revivalism" is thrown around a lot these days, which kinda sucks if you ask me - I like to think that most bands these days are doing more than merely hearkening back to another era. That said, if we timetravelled back to '98 with this new tune from Technicolor Teeth, it would most definitely be bumping on everyone's alt-radio preset. Opening with a huge riff that brings to mind names like Yuck and Deerhunter, "Sage" is a hazy slice of slacker-pop heaven with a slight goth bent. Shoegazy textures and slack drumming mesh with lyrics that are set firmly in the perspective of a dude reminiscing on his teenage years. Matt Stranger remembers, "I would meet you after class / And we would smoke a bowl of hash / Take a walk down to the park / And get lost with you after dark." No, these lines don't require you to think too hard about much of anything, but therein lies the glory of music like this. Tune in and zone out.



LISTEN: Brain F≠ - "Headaches + Vomit / Dirty Realism"

WHERE: Charlotte, NC
FROM: Empty Set on Sorry State Records
AVAILABLE: Now

I hear that the name of this quartet is actually pronounced "Brain Flannel," which is... OK, sure! While the majority of their new record features off-kilter, sing-songy vox on top of speedy garage-punk, these two tracks that show up on the backhalf of the record find the band in straight-up hardcore mode, going right for the jugular. They both rule: "Headaches + Vomit" is a song about getting sick and appropriately crushes through its sections at a nauseatingly blinding pace, while "Dirty Realism" slows things down only a tiny bit to allow for manic musings like, "I can't turn left, I'll end up down! / I want it to be dark and I want it to be day!" Brain F≠ are here to fuck shit up - BREAK STUFF.



LISTEN: The Flag - "Bad Blood"

WHERE: Brooklyn, NY
FROM: Common Interests Were Not Enough to Keep Us Together Comp on GODMODE
AVAILABLE: Now

OK - so technically, one-man industrial band The Flag first dropped "Bad Blood" in 2012, albeit in a lower fidelity that didn't allow the track to stretch its muscles. Thankfully, he's put out a revamped rendition for GODMODE's new comp and we're now reckoning with a full-on banger that indeed sounds like "the night Timbaland discovered Suicide." While I wouldn't venture to call Ted McGrath our generation's Alan Vega, he has a presence that is similarly unstable and commanding. Those pounding drums that cascade in both channels are markedly meatier than the original, giving this song a heavy churn that is simultaneously mechanical and club-ready. Well worth your time if you're feeling something a little friendlier than Youth Code or Sewn Leather.

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